SHOT LISTS - important organization

[sonnyboo]

ORGANIZATION PART I
Shot Lists: From Pre-Production through Post Production
By Peter John Ross

from http://www.sonnyboo.com/downloads/shotlist.php

Like so many of us with a desire to eventually make movies for a living, I like to view my little DV shorts (aka Microcinema) as a training ground. Even when making a 5 minute camcorder short, the kind where you are the writer/director/producer/cameraman/editor, you can still prep for bigger shoots, and develop good habits. One of these habits is creating and maintaining a shot list.

A shot list is a list of all the camera angles for a shoot, including coverage and cutaways. This can be done from the script, on the fly during a shoot, or even AFTER the shoot, using the footage and just naming the shots that were obtained.

Shot lists in pre-production usually only blueprint a shoot. A basic shot list of MASTER SHOT, CLOSE-UPS (aka CU’s), et al help plan for time & basically outline what the shoot will consist of. Part of directing is deciding what shots best tell your story and elicit the emotional reaction from a viewer. Storyboards are a great second step for a shot list, but not everyone can draw or get storyboards, so a written list of shots can still achieve the real goal (which is organization).

Making a list of those shots from the script usually winds up being different than when you get there on the day and do the shoot. New shots can come up, two shots get fused into one, or you just don’t have time to get them all. During a shoot, LOGGING the shots can be a valuable tool for post-production (thinking ahead).

A “script supervisorâ€