Ok, well i finally got it edited. But its not what u might think. We had a MAJOR mess up, and were going to be re-shooting this saturday (hopefully)...but also keep in mind this isnt the final product....we messed up so i decided to show yall a part of it....so here it is
Click Here , 2.5 mb .wmv
"After-Math 3: The Nobodies"- Preview of scene 7
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"After-Math 3: The Nobodies"- Preview of scene 7
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Dance Dance Revolution: Proving white people dont have rhythm since 1998
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Dance Dance Revolution: Proving white people dont have rhythm since 1998
tis why we messed up, we must reshoot it because we messed it up and my tapes messed, other than that thanks .....gonna have to postpone filming till next week, everyone's busy sadly, but at the end was just a thing of me shouting, lol he hit my tripod and bent it! lol which is alright cause i needed a new one anyways. lol
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Dance Dance Revolution: Proving white people dont have rhythm since 1998
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Dance Dance Revolution: Proving white people dont have rhythm since 1998
good cuts but its all a bit slow. what you can do to make it look like hes hit at high speed is to use perspective and have the car drive fast at the actor but a couple of feet closer to the camera, thus missing him but creating the effect of him being mowed down at high speed. if you time it perfectly as well the actor can flip his own legs away as the cars by the side of him and this will leave less to be shown of him rolling onto the bonnet of an almost stationary car
'Pain is temporary, film is forever'
Heres my suggestion, but I don't know the situation so It may be unusable:
Shot 1: Car zooms past camera, which is set on ground tilted up. You need the car to actually be going fast for this shot.
Shot2: Wide shot like opening of trailor where we see both car and human. Probably going to want to increase the speed by like %200 in post.
Shot3: From inside car, with human approaching fast. Speed it up again in post.
Shot4: Shot of kid jumping on car from wide angle or maybe a little closer, but cut in mid jump to an inside shot that is not sped up.
Shot 1: Car zooms past camera, which is set on ground tilted up. You need the car to actually be going fast for this shot.
Shot2: Wide shot like opening of trailor where we see both car and human. Probably going to want to increase the speed by like %200 in post.
Shot3: From inside car, with human approaching fast. Speed it up again in post.
Shot4: Shot of kid jumping on car from wide angle or maybe a little closer, but cut in mid jump to an inside shot that is not sped up.