film look
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- BrownCowStudios
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Correct me if I'm wrong, but progressive scan has nothing to do with a low shutter speed, or any shutter speed for that matter. Progressive scan refers to FPS. In the example of NTSC, progressive would be 30fps, rather than 60i. The way I see it, shutter speed has very little to do with progressive scan.
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Hang on a sec, I'm from a photographic background, not a movie one, and for me shutter speed means overall exposure time onto the film. Generally it works this way:
You always want the narrowest apature your lens can go. It increases the focal depth (Unless you want an effect where you want to blur out he background). Disadvantage is that small apature size means less light on the film, so you have to compensate by keeping the shutter open longer. This then sucks if you have a fast action shot, because it'll come out as a blur (Which could be the effect you want, but then again, not), especially the case for low-light shots.
So how does this principal relate onto video?
You always want the narrowest apature your lens can go. It increases the focal depth (Unless you want an effect where you want to blur out he background). Disadvantage is that small apature size means less light on the film, so you have to compensate by keeping the shutter open longer. This then sucks if you have a fast action shot, because it'll come out as a blur (Which could be the effect you want, but then again, not), especially the case for low-light shots.
So how does this principal relate onto video?
Moderating behind the bushes!
The same camclub, the same! I was just saying that whoever it was who mention it was mistaking it for something else, which is easily done as progressive scan gives the illusion of high shutter speeds (and vice versa)
With shutter speeds in video and film, it makes the difference between blurry smooth motion and sharp yet jerky motion.
With shutter speeds in video and film, it makes the difference between blurry smooth motion and sharp yet jerky motion.
[url=http://www.youtube.com/watch?v=loFABl-1Zcw]THE SALESMAN - YouTube[/url]
I have cinelook and filmFX. But, what I really like is Magic Bullet. Really cool. In order for these things to look good, you have to treat the Dv like it was shot on film. I'm talking about lighting, depth of field, motions, angles, ETC. I've seen some videos where I was really fooled into believing it was shot on film!
ok. finally found a good look
in premiere
right click on the video clip and choose always deinterlace
put two clips on top of each other and move 1 clip 1 frame forward
make top clip 25% opacity
choose the polterize time effect and make in 24
export at 29.97
in After effects
interpret footage to remove 3:2 pulldown
play with gamma, levels, hue and saturation
add small amount of noise
export to 23.97 fps
Voilia! instant film look! (actually not instant, LOOOOONG render times, but its worth it, especially on my progressive scan tv.)
in premiere
right click on the video clip and choose always deinterlace
put two clips on top of each other and move 1 clip 1 frame forward
make top clip 25% opacity
choose the polterize time effect and make in 24
export at 29.97
in After effects
interpret footage to remove 3:2 pulldown
play with gamma, levels, hue and saturation
add small amount of noise
export to 23.97 fps
Voilia! instant film look! (actually not instant, LOOOOONG render times, but its worth it, especially on my progressive scan tv.)
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- negusproductions
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Yes, i like your 'advice' in your last post. 'Magic Bullet is still my choice'.negusproductions wrote:This enables me to do things better and offer advice.
Very useful. I think i'll go and shell out $795 based solely on your 'advice'.
Chill man, you need a rest after reading 'every thread in this forum'.
We tend to think of your 'Magic Bullet is still my choice' post as spamming, particularly as you brought up an old topic.
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- negusproductions
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Raptor wrote:Exactly ornsack, edit in Premiere, export as uncompressed DVAVI, import into AE add effects, then export as uncompressed AVI, import into Premiere, tweak any final edits and render to the output format, basically lossless all the way. Don't render to MPEG until the fianl edit....
that sounds good but...I think you forgot to write that by doing that you will say bye bye to your harddrive space very soon
just made the Wet Floor Trailer (30 seconds) so that i could import the uncompressed vidoe to Windows media encoder. The file is 115mb. by doing this technique, you would have to have at one moment 2 uncompressed videos (the one you exported from premier, which you need until the file from AE is exported) so, if the clips are big, a lot of disc space might be required
but again, if you have 2 100gb discs or something like that, it probably wont be a problem
Sorry about that, i'm grumpy by nature & i've been ill these past few days. No hard feelings?negusproductions wrote:Even though my first impression of you as a moderator is not the greates being that you seem to choose to insult my post.
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*Ornsack concieves the idea that this should be filmed, so the guys get together and recreate the scene and get £250 between them for sending the footage to You've Been Framed*
Anyway, bad moderators for letting this thread go off topic...
Anyway, bad moderators for letting this thread go off topic...
[url=http://www.youtube.com/watch?v=loFABl-1Zcw]THE SALESMAN - YouTube[/url]